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Live March 21st, 2008 at Cité de la Musique, Paris
Duration: 31:43
Personal recording.

Playing his home-build modular synth with custom amplifier, sensors and theremin, Rafael Toral (b.1967) performs a kind of retrofuturist sonata, as part of his Space Studies series. Apart from tweaking the knobs of the little monophonic organ, Toral modulates some of the electronic sounds with his hand in a gesture familiar from theremin players. At times the music sounds like an outtake from the Baron’s Forbidden Planet, and at times like early experiments in ur-electronica by Stockhausen and colleagues from the Köln studio. Anyway, this is a retake on 1950s experimental electronic music, except it is performed live and not painstakingly assembled from hours of oscillator sounds on tape. After a minimal and mysterious introduction, the music gets pretty amazing and weird in the second half of the show. [above: YouTube video with accompanying music by Toral]

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01 Norwik An Zee (4:49)
02 Nombrilic Trip (2:45)
03 The Sound Resounds (2:49)
04 Hole In A Wall (3:10)
05 May, Friday, 22nd (2:39)
06 Distorted View (3:21)
07 Gingerbread Man (1:33)
08 The Night After (5:07)
09 The Day After (1:58)
10 Eyes Of God (4:35)
11 Bubbleland (4:06)
12 Standing In The Milky Way (1:30)
13 Minds Shut Together (4:41)
14 A Fleeting Moment (2:55)
15 N°2 Is Watching You (6:30)
16 Eteless (3:22)

Total time: 55:40
Self released cassette in special silkscreened pouch, 1987

Originally from the same geographical area as Illusion Production (Caen and Saint-Lô in France’s Normandy), Francois Banholzer, b.1966 [+], published several cassettes during the 1980s, possibly inspired by his friendship with the D.D.A.A. crew. A member of local bands The Long Dream, Les Enfants Terribles and Septembre Noir during the 1980s, Banholzer later worked with contemporary artists (on Thierry Weyd’s Editions Cactus, 1993-94) and became a ukulele player now in the Koenig’ Sisters, as well as in Tukedomoon (!), an ukulele duo touring jazz festivals in 2008.

‘A trip to heave and ho, up, down, to and fro’ is Banholzer’s 2nd cassette and comes in a special linen pouch, painstakingly sewed by his own mother, with silkscreened title and drawing. Kikie Spotlight (real name Christine Lapouze) was the bass player in Septembre Noir, and later cellist in Les Elles. As far as I can tell, she plays bass and contributes vocals and some instruments here and there (possibly trumpet), while Banholzer is playing most instruments including guitar & bass, saxophone, keyboards and vocals. His guitar parts are exceptionally clear, sounding poetic and dreamy and not amateurish in any way. The songwriting (in english and french, with a few instrumentals) is well balanced between keyboards, guitars, vocals and complimentary instruments. The atmosphere is mostly melancholic and sad, recalling Tuxedomoon on several occasions, like tr.#8 ‘The Night After’ whose bass line comes from ‘Seeding The Clouds’. In addition to being highly surrealistic as a whole, ‘A trip to heave and ho…’ holds several allusions to Syd Barrett’s songs. For instance, the cassette title is the opening line of ‘Octopus’ ;‘Gingerbread Man’ is included in ‘Bike’ while ‘The Sound Resounds’ is a line from ‘Astronomy Domine’. Similarly, the track called ‘Minds Shut Together’ is an hommage to Marguerite Duras’ film ‘India Song’, a Banholzer’s favorite.

In my personal Walhalla this tape ranks as high as the Deux Pingouins cassette and the Bernard C. LP, three of the greatest achievements in french underground avantgarde songwriting, and should be known to people with an interest in Illusion Production or Sebastian Gandera, not to mention Tuxedomoon and Pink Floyd. The sound quality and production are amazing for a self release, resulting in a resplendent collection of mp3s. (Thanks to François himself for his help writing this post.)

Discography
1986 ‘Suppléments au silence’, self released cassette
1987 ‘A trip to heave and ho, up, down, to and fro’, self released cassette
1989 ‘Onion and daydream love’, self released cassette
1993 ‘Les après-midi d’Albion’ on compilation CD, Editions Cactus [+]
1994 Soundtrack to Thierry Weyd’s ‘Les planètes’ CD, Editions Cactus
2006-2008 Member of Koenig’Sisters [+]

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01 La Prise De Nankin Par L’Armée Populaire De Liberation (2:59)
02 Chanson (2:47)

Pascal Comelade: all instruments ; vocals on 01
Laurent Leguen: violin on 01
Cathy Claret: vocals on 02

7” released on Monsieur Vynil Records, Montpellier 1984

Not the soundtrack to the René Viénet [+] 1973 detourned film of the same name (poster pictured on top), this Pascal Comelade 7” single is nonetheless the closest Comelade got to situationist détournement technique. It is also probably self released by the man himself, who was living in Montpellier at the time. The A side is the reading of a Mao Zedong poem in french translation where the reader (Comelade himself) is trying to over-emphasize the bathos of the short poem with melodramatic accent. The music is pure Comelade with melodica, toy xylophone, guitar and organ playing the bass. The B side features the irresistible voice of young Cathy Claret, 10 or 12 years old in this recording, singing a child song in english, to which Comelade adds intoxicating toy guitar and xylophone over an insistent organ drone. Utterly cute melody and voice to which this blogger cannot resist.

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READERS TAKE CONTROL ON CONTINUO!
Music submitted by Rainier. Thanks.


‘Hart Ins Gericht, Zart Ins Gesicht
Anlasslich der austellung der Gruppe Ratio-Konditio’

01 Side one (03:51)
02 Side two (03:53)

Recorded in Wien, March 17th, 1979
7” released by Edition Lebeer-Hossmann, Germany, pressing: 500

From 1973 to 1980, german artist Dieter Roth and Austrian Arnulf Rainer worked together producing photos, paintings, drawings and films. As far as I can tell, this 7” single is a radio interview where both talk of their current exhibition in Wien, as part of their ‘Ratio-Konditio’ activities as a duo. More an artist’s record than sound art per se then, this is an unceremonious, lively conversation with many strange extraneous noises – maybe our german speaking readers could help figuring out what they are talking about? More info here (in german). Dieter Roth released many records, cassettes and videos, including ‘Die Radiosonate’ LP in 1978 and the ‘Piano Pieces’ LP in 1979, or the ‘Accu-Sonate 1-10′ box-set including 10 endless audio tapes, 1992 (on sale here for €12,000 ; most expensive tapework ever?).

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READERS TAKE CONTROL ON CONTINUO!
Music submitted by Rainier. Thanks.

01 Musiques Plastiques N°8 (13:55)
02 Musiques Plastiques N°15 (5:36)
03 Musiques Plastiques N°7 (12:29)
04 Musiques Plastiques N°2 (4:39)

Total time:36:38
LP released 1980 on Blue Sphere Music (France)

First album in Galeshka Moravioff’s ‘Musiques Plastiques’ series (see previous post for Volume 2). Extraordinary piano improvisations using awesome tonalities, for a music that is half minimalism, half George Enescu. Track #2 with its folk music patterns and angular chords is more in Bartok territory. Amazing LP.

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READERS TAKE CONTROL ON CONTINUO!
Music submitted by Vespucci. Thanks.

01 Un portrait de Catherine 1 (4:13)
02 Un portrait de Catherine 2 (1:49)
03 Winter rain (3:33)
04 Fragments/Accidents (4:59)
05 La malédiction du pharaon (3:00)
06 Un crime parfait (1:02)
07 Antoni Gaudi (1:36)
08 Liebeslied (0:56)
09 The curious sofa (4:11)
10 Sentimientos (0:55)

Total time: 26:00

Cassette released 1983 on Tago Mago (ref Camouflage 001) in a special pyramid-like packaging with 5 different colors available. Very good music, actually, though at first I felt I had heard all this before. But whenupon returning to ‘Logique du sens’ recently, I succombed once again to Pascal Comelade’s charming, intoxicating miniatures. Comelade plays most instruments (grand piano, keyboards, guitars), while the exquisite Cathy Claret contributes flute and toy piano on some tracks, in what can pass for a prefiguration of the Bel Canto Orchestra – the next to come big step for Comelade. A collection of enchanting and melancholic instrumentals where keyboards reign supreme, ‘Logique Du Sens’ is possibly the french answer to Cluster Roedelius’ ‘Jardin Au Fou’. Wonderful.

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Just a quick note to let you know Herbert Distel have been favorably commenting on the ‘La Stazione’ post, published May 15th, which makes me very happy.

READERS TAKE CONTROL ON CONTINUO!
Music submitted by Rainier. Thanks.


01 Mauvais rêve (1:12)
02 Conversation (1;07)
03 Les Enfants de la Bière (1:08)
04 Cérémonie (1:07)
05 La Dynastie (1:13)
06 Voyage Immobile (1:11)
07 Voyage Enchanté (1:09)
08 Magie (1:09)
09 Eskimo (1:06)
10 Silence Une Minute (1:26)

Total time: 11:50
12” released 1985 on Repli Strategic (Picture Wave Records)

Théatre Commercial was a french quatuor including Catherine Rimbaud, Guillaume Loizillon, Antoine Campo and Jean-Pierre Chalbos. This 12” is the music to a theater performance. The sound is certainly typical from french new-wave (think Art & Technique, for instance), but this is almost a concept album, with on-going narration throughout. Antoine Campo is now a full-time stage director. He’s said to have written and directed ‘Théatre Commercial’ [+]. Guillaume Loizillon was already mentioned before on Continuo [+]. Jean-Pierre Chalbos is a famous parisian producer running a reknowned recording studio, and occasional member of Patrick Muller’s improv big band: L’Orchestre Inachevé, along Loizillon. Delightful hommage to The Residents on track #9.

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